mujer gallina
NULLNULL is a small editorial project represented by MUJER GALLINA. It is rooted in graphic activism, creating publications that recover overlooked stories and narratives within art subcultures, often connected to the street and public space — territories that NULLNULL considers sites of action and social transformation.
Many of these publications serve as archives of projects carried out by BIPOC collectives and/or FLINTA* individuals with whom NULLNULL has collaborated. The goal is not only to document, but also to activate memory, highlight struggles, and share knowledge built collectively.
The editorial project reaches diverse audiences, from children to adults, adapting language and formats to each context. It uses various mediums, from silkscreened posters to small print-run publications, understanding the printed object as an extension of collective action.
The catalogue is organized into three sections:
fanzines documenting collective visual actions within subculture;
children’s publications with a non-conventional perspective;
and a collection of graphic activism posters.
Together, NULLNULL’s project presents print as a space for memory, circulation, and encounter — open and without barriers.
Many of these publications serve as archives of projects carried out by BIPOC collectives and/or FLINTA* individuals with whom NULLNULL has collaborated. The goal is not only to document, but also to activate memory, highlight struggles, and share knowledge built collectively.
The editorial project reaches diverse audiences, from children to adults, adapting language and formats to each context. It uses various mediums, from silkscreened posters to small print-run publications, understanding the printed object as an extension of collective action.
The catalogue is organized into three sections:
fanzines documenting collective visual actions within subculture;
children’s publications with a non-conventional perspective;
and a collection of graphic activism posters.
Together, NULLNULL’s project presents print as a space for memory, circulation, and encounter — open and without barriers.
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