weRstories – Miss Read

weRstories

weRstories is an independent publishing project founded in 2022 and based in Germany. The press focuses on multilingual literature and works primarily with writers whose lives and practices unfold across borders, languages, and cultural contexts. Our catalogue includes publications in Spanish, English, and Italian, reflecting the linguistic realities of migration and the hybrid spaces in which many contemporary authors write.

The project was created to support literary voices that often remain marginal within dominant publishing structures. Many of our authors are migrants or live in diaspora, and their work engages with questions of displacement, language, memory, and the politics of belonging. Rather than treating multilingualism as an exception, we approach it as a fundamental condition of contemporary cultural production.

For us, bibliodiversity is not only about the number of languages represented, but about sustaining editorial spaces where different narrative traditions, sensibilities, and experiences can coexist. Our publications explore a wide spectrum of forms — from literary fiction to hybrid texts that move between narrative, essay, and artistic experimentation. Each book is developed through close editorial collaboration with the authors, often across countries and linguistic contexts.

Operating as a small independent press in Germany while maintaining strong connections with Latin American and Mediterranean literary communities, we aim to create bridges between different literary ecologies. Our work seeks to expand the visibility of writers who move between cultural territories and whose practices challenge the boundaries of national literature.

weRstories collaborates also with artists and creatives to harness the potency of fiction within exhibition spaces, illustrating how a narrative text can enrich and empower visual artworks in a profound and meaningful manner. Imagine brief fictional tales inspired by visual artworks, snippets of interviews that offer insight into the artist’s creative essence, and texts that seamlessly blur the boundary between reality and fiction. In an era where art exhibitions frequently become submerged in sterile, overly conceptual jargon or generic press releases, this project boldly endeavors to reignite the enchantment of the written word within the realm of contemporary art.

Participating in MISS READ would allow us to share this transnational editorial practice within a broader network of independent publishers and creatives committed to bibliodiversity, cultural exchange, and alternative forms of publishing.
Bizca de pechos
Carmina Prieto, Bizca de pechos, weRstories, 2025, © Carmina Prieto

Carmina Prieto’s novel is a one-way journey into the most sacred and brutal corners of intimacy. Through raw, unfiltered notes, the protagonist Carmen opens the door to her darkest and most private thoughts. Across its pages, reflections on motherhood and friendship intertwine with guilt, solitude, the body, the unease of turning forty, and the rupture of a separation that leaves everything trembling with doubt.

What is written but never spoken, what is thought in the shadows, what is silenced in plain sight: "Bizca de pechos" is a stripped-down confession, a hand gripping tightly in the middle of the storm.The author hopes that men, in particular, will read it — and perhaps come a little closer to understanding their mothers

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La residencia
Julieta Arévalo, La residencia, weRstories, 2025, © Julieta Arévalo

Widowhood, a fall, the exhaustion of carrying everything alone, the loneliness that slowly turned into routine — this is how they arrived at the nursing home, each carrying a life behind them. Some brought little; others arrived with hearts full of things impossible to pack.

Through fragments of eleven elderly women — and one caregiver — the novel reveals memories, lost loves, quiet rebellions, and unexpected queer anecdotes that surface in old age. At the same time, it offers a sharp critique of how the elderly are treated: infantilized, overmedicated, and often silenced.

Set in Mexico during the COVID years and inspired by the author’s mother and the stories she shared with Julieta, this choral novel moves between melancholy and humor, reminding us that even in the last stage of life there is still space for friendship, desire, and transformation.

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La danza del astronauta
Martha Barilari, La danza del astronauta, weRstories, 2025, © Martha Barilari

Set in Durango in the 1990s, while Spain dreams of the future with the opening of the Guggenheim Museum, Elaia Azkarate’s life collapses into darkness after a devastating loss. Her house becomes a mausoleum where grief, silence, and memory take over.

When a mysterious note slipped under her door and the voice of a neighbor through a walkie-talkie break the isolation, Elaia slowly begins to reconnect with the world. Through literature, shared mourning, and unexpected friendships, she starts rebuilding meaning from fragments.

"The Astronaut’s Dance" is a novel about loss, resilience, and maternal love pushed to its limits — a story shaped by vicarious violence, where pain may still transform into refuge and the most fragile bonds into salvation.

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