EECLECTIC – Digital Publishing for Visual Culture
EECLECTIC is a publishing project for digital publications in the field of visual culture in Berlin. Since 2018, we are creating e-books that intertwine art, photography, city, politics, society, feminism and film. Artistic narratives and practices of artistic research are at the heart of our publications. They reflect our publishing interest in a differentiated perception and mediation.
Together with authors, artists and editors, we develop e-books that explore the media potential of digital publishing. Our goal is to create publications that are as clear and relevant as their content. We see the rapid and global digital dissemination of our e-books as an additional opportunity to make pressing issues more public and to activate diverse discourses.
Together with authors, artists and editors, we develop e-books that explore the media potential of digital publishing. Our goal is to create publications that are as clear and relevant as their content. We see the rapid and global digital dissemination of our e-books as an additional opportunity to make pressing issues more public and to activate diverse discourses.
Valeria Fahrenkrog, Claudia Hummel, Katharina von Hagenow, Spielclub. Kinder Stadt Geld, EECLECTIC | Berliner Hefte zu Geschichte und Gegenwart der Stadt, 2024, © Valeria Fahrenkrog, Claudia Hummel, Katharina von Hagenow
Berliner Heft #10 / Das Heft erzählt die Geschichte künstlerisch-aktivistischer Bildungsprojekte und reflektiert die Besonderheit kapitalismuskritischer Spielstädte – gemacht für und mit Kindern
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Christian Huck, Cultural Studies for Troubling Times. A Multimodal Introduction to British and American Cultures, EECLECTIC, 2024, © Christian Huck
This publication shares the core ideas of Cultural Studies with everyone seeking to understand the role of culture in times of manifold crisis
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Anna Bromley, Achim Lengerer (Hg.), I Speak Radio, EECLECTIC | Scriptings: Political Scenarios, 2024, © Anna Bromley, Achim Lengerer (Hg.)
Artistic essay on the feminist appropriation of the young radio technology of the 1920s and the reading versions of Bromley’s radiophonic walks with portraits from Kosovo
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